Tag Archives: trends

T is for Trends

T is for Trends 2015 A to Z Challenge -- April J. Moore

As you can see back in 1985, my sister and I were rocking a few trends: Banana-seat bikes, leg warmers, and those heated curlers called Benders.
BendersThey were all the rage, let me tell you. Okay, trendsetters, we were not. 

When it comes to writing, do you think it’s important to follow trends?

I don’t know about you, but by the time I’ve identified a trend in writing, it’s already too late to cash in. In fact, I’ve heard agents say to never follow trends; just write a great book. Andy Ward, Nonfiction Editorial Director at Random House says, “Most of the books I work on take two to four years from acquisition to publication, so I feel in some ways that trying to predict trends is a recipe for frustration or even failure. I look for books that have the potential to survive any given moment, that either present ideas or writing that will be as interesting two years from now as they are today. So I guess the trend I try to follow is quality, whenever possible.”

Usually, what dictates a trend, is an uber-popular book. Agents saw a flurry of wizard books after the first Harry Potter. After Fifty Shades of Grey, agents were inundated with BDSM. In 2008, Writer’s Digest reported that in the Romance genre, vampires and paranormal subjects were hot. For thrillers, “terrorism” was on the top of the list, and “sexy, tongue-and-cheek urban fantasy” was taking over the sci-fi/fantasy market.

Jump to 2015 . . . here’s a list of what agents and editors are hoping for. They may not become trends, but it’s good to know what they want.

  • Less dark and gritty dystopian YA, and “back into interesting worlds with strong characters and intriguing plot setups.”
  • No more heroines who think they’re weak and lack confidence (thank you!)
  • YA that features more diversified characters, particularly those with disabilities. 
  • In Science Fiction, “LGBT characters are becoming more prevalent—less a major plot point and more just a character trait.” 
  • Science Fiction with thriller/suspense elements.
  • One editor expects to “see a lot of bighearted, outlandish eccentricity in the next year or so. . .look for a lot of color and spice this year. Imagination is paramount.” (The Last Illusion, 2. a.m. at the Cat’s Pajama’s, and Preparing the Ghost.)
  • Sophisticated voices with contemporary themes that can crossover from YA to adult.
  • YA mysteries and thrillers are in high demand.
  • Less angst and more fun: “it should be time soon for lighter, frothier material to come back.”
  • Historicals set in unconventional settings and time periods.


So there you have it; now go write.

What trends are you hoping will die off? And what do you see making it’s way to bookstores?

A to Z Challenge 2015

O is for Originality

O is for Originality, 2015 A to Z Challenge -- April J. Moore

Original is defined as present or existing from the beginning; first or earliest. It’s also said to be an eccentric or unusual person. Well, that’s clear as mud. 

It can be difficult to be original. Some even say that there aren’t any original ideas or thoughts left. Mark Twain famously stated, “There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.”

Do you agree? Perhaps on a quantum level, so to speak, that’s true; we take all these tiny pieces that are established ideas and feelings, and put them together to form a bigger picture. Maybe it’s the bigger picture that needs to be as original as possible. Then again, readers also like age-old themes and concepts because they tend to be relate-able. 

Either way, I believe striving for originality in our writing is critical. We all have writers we admire and wish to emulate, but to what degree? For me, I won’t even bother trying to be like my favorite authors, because I know that ‘s as likely as me staging underwater Civil War reenactments. If you have a story (boy meets girl; boy loses girl, etc) the key to originality may be with the characters. How interesting and unique you make them, can sell the story. Make them memorable people and you may just have yourself a winner. But just your everyday folks? Boring. So then your setting has to be rock solid. 

How about when it comes to trends? At the NCW conference this year, a publisher said that editors don’t want to see anymore dystopian  stuff . . . unless, it’s unique and original.  How do you know when you’ve done that? I suppose it’s when you sell the manuscript. 

Do you agree with Twain? And how difficult do you think it is to be original? And do you feel it’s essential as a writer to be original? 

A to Z Challenge 2015